James Stamp Method The mouthpiece and trumpet are only the amplifier – the buzzing of the lips is where the sound is formed. It is extremely important to practice. Contents. Background Stamp was a professional musician from the age of 16, starting in the Mayo Clinic Band.
James Stamp Trumpet Method
Getting the trumpet to consistently do what you want it to do is a lifelong process, and there are many legitimate ways to approach playing the horn. Like most trumpet players, I use concepts from several different schools of thought in my own playing, but one of the people from whom I've borrowed the most is James Stamp. I've recently developed a practice tool that has helped me do a better job of putting a couple of his ideas into practice, and I'd like to share it here (more on that in a minute).
- James Stamp Warm-Ups with item no. 530 is a teaching aid from Editions Bim and is for music lessons with trumpet and other brass instruments. Most students of James Stamp believed his warm-ups were more effective in his presence than if they played them alone.
- The exercises of James Stamp are probably some of the most famous exercises for trumpet and most practical throughout the entire world, but unfortunately, in many cases, they are practiced wrong or poorly understood. We have with us, an alumnus of Stamp — and his successor as a teacher at California State University, Fullerton — Stanley Friedman, who has been kind enough to write this.
James Stamp was one of the most influential brass teachers of the 20th century, and his approach to the trumpet has only become more popular since his passing in 1985. You can't swing a cat without hitting a trumpet player who uses a Stamp exercise or idea in their playing, and what's really interesting to me is that players of every stripe seem to like Stamp.
Håkan Hardenberger is a fan, (see Mark Dulin's great January 2009 ITG Journal Interview), but so is Wayne Bergeron (see Derek Reaban's write up of a 2008 Bergeron masterclass). I don't know about you, but as a trumpet player who strives for proficiency in all types of playing, hearing two names as different as those attached to the same set of ideas perks my ears up.
Most of us know James Stamp's method book Warm-ups and Studies as well as the book's ubiquitous 'Basic Warm-up #3' (if you don't know 'Basic Warm-up #3,' ask my wife how it goes. It gets stuck in her head like a Disney song).
Get started with the new Project, starting at $10.00 per month. Learn more Stay organized, focused, and in charge. Tackle anything from small projects to large initiatives. You may or may not be a project manager, but now you can be the boss of any project with a powerful, easy-to-use app. Start quickly with the most recent versions of Word, Excel, PowerPoint, Outlook, OneNote and OneDrive —combining the familiarity of Office and the unique Mac features you love. Work online or offline, on your own or with others in real time—whatever works for what you're doing. With the release of macOS 10.15 Catalina, Microsoft 365 for Mac and Office 2019 for Mac supports macOS 10.15, 10.14, and 10.13. To continue receiving the most up to date Microsoft 365 features on Mac, make sure you have one of the three most recent versions of macOS. To learn more about the latest macOS releases, see this page. The Project Online web app is designed by Microsoft, comes with Microsoft 365 for Mac and is fully functional. To be clear, it's not a web-based version of Projects. To be clear, it's not a web-based version of Projects. Office 365 project for mac os high sierra.
As I see it, the backbone of Stamp's philosophy to remain centered at all times, and the specific techniques in Warm-ups and Studies reinforce this philosophy, especially this one from page four:
Keep thinking down going up and thinking up going down.
Trumpet Warm Up Pdf
I had an 'A-ha!' moment a couple of years ago while reading Craig Morris' excellent series of blog posts Stamping It Out. In particular, this excerpt caught my attention (from the second post in the series): 2011 games for mac download.
Imagine that you are playing facing a tall brick wall (if you have an actual brick wall, that will be even better). Assign each brick its own unique note. The top brick on the wall is pedal C; the bottom brick is however high you are able to play; Bb, C, or A should be right in the middle. Before you play any note, find its location on the brick wall, and then place the note there when you play. Thinking in this manner improves three things: 1) As mentioned in the book, it helps to keep you from playing sharp in the upper register and flat in the lower register. 2) It keeps you balanced when you play, preventing you from puckering out too much when you are in the lower register, and from stretching too much when you are in the upper register. 3) It gives you a more concrete placement of each note before you play it. When playing the trumpet, we have almost no visual feedback or guidance. If you play the piano, you know where every note is; they are all laid out in front of you. The same thing is true of string instruments, albeit to a lesser degree. With the trumpet, however, we have almost no visual help. But if you visualize the place each note resides on your virtual (or hopefully real) brick wall, then it will reinforce to your body where each note goes, and what is involved in placing it there.
This made a lot of sense to me, and I started putting it into practice. I began thinking of high notes as lower on the imaginary brick wall and low notes as up near the ceiling. Like most players, I struggle with over-tightening in the upper register and over-loosening the chops below low C, so this approach was just what I needed.
James Stamp Trumpet Pdf
I used this concept in the abstract until fairly recently, when I decided to experiment with an artificial 'brick wall,' so to speak. Meet my latest (and nerdiest) creation: the Stamp Strip!
James Stamp was one of the most influential brass teachers of the 20th century, and his approach to the trumpet has only become more popular since his passing in 1985. You can't swing a cat without hitting a trumpet player who uses a Stamp exercise or idea in their playing, and what's really interesting to me is that players of every stripe seem to like Stamp.
Håkan Hardenberger is a fan, (see Mark Dulin's great January 2009 ITG Journal Interview), but so is Wayne Bergeron (see Derek Reaban's write up of a 2008 Bergeron masterclass). I don't know about you, but as a trumpet player who strives for proficiency in all types of playing, hearing two names as different as those attached to the same set of ideas perks my ears up.
Most of us know James Stamp's method book Warm-ups and Studies as well as the book's ubiquitous 'Basic Warm-up #3' (if you don't know 'Basic Warm-up #3,' ask my wife how it goes. It gets stuck in her head like a Disney song).
Get started with the new Project, starting at $10.00 per month. Learn more Stay organized, focused, and in charge. Tackle anything from small projects to large initiatives. You may or may not be a project manager, but now you can be the boss of any project with a powerful, easy-to-use app. Start quickly with the most recent versions of Word, Excel, PowerPoint, Outlook, OneNote and OneDrive —combining the familiarity of Office and the unique Mac features you love. Work online or offline, on your own or with others in real time—whatever works for what you're doing. With the release of macOS 10.15 Catalina, Microsoft 365 for Mac and Office 2019 for Mac supports macOS 10.15, 10.14, and 10.13. To continue receiving the most up to date Microsoft 365 features on Mac, make sure you have one of the three most recent versions of macOS. To learn more about the latest macOS releases, see this page. The Project Online web app is designed by Microsoft, comes with Microsoft 365 for Mac and is fully functional. To be clear, it's not a web-based version of Projects. To be clear, it's not a web-based version of Projects. Office 365 project for mac os high sierra.
As I see it, the backbone of Stamp's philosophy to remain centered at all times, and the specific techniques in Warm-ups and Studies reinforce this philosophy, especially this one from page four:
Keep thinking down going up and thinking up going down.
Trumpet Warm Up Pdf
I had an 'A-ha!' moment a couple of years ago while reading Craig Morris' excellent series of blog posts Stamping It Out. In particular, this excerpt caught my attention (from the second post in the series): 2011 games for mac download.
Imagine that you are playing facing a tall brick wall (if you have an actual brick wall, that will be even better). Assign each brick its own unique note. The top brick on the wall is pedal C; the bottom brick is however high you are able to play; Bb, C, or A should be right in the middle. Before you play any note, find its location on the brick wall, and then place the note there when you play. Thinking in this manner improves three things: 1) As mentioned in the book, it helps to keep you from playing sharp in the upper register and flat in the lower register. 2) It keeps you balanced when you play, preventing you from puckering out too much when you are in the lower register, and from stretching too much when you are in the upper register. 3) It gives you a more concrete placement of each note before you play it. When playing the trumpet, we have almost no visual feedback or guidance. If you play the piano, you know where every note is; they are all laid out in front of you. The same thing is true of string instruments, albeit to a lesser degree. With the trumpet, however, we have almost no visual help. But if you visualize the place each note resides on your virtual (or hopefully real) brick wall, then it will reinforce to your body where each note goes, and what is involved in placing it there.
This made a lot of sense to me, and I started putting it into practice. I began thinking of high notes as lower on the imaginary brick wall and low notes as up near the ceiling. Like most players, I struggle with over-tightening in the upper register and over-loosening the chops below low C, so this approach was just what I needed.
James Stamp Trumpet Pdf
I used this concept in the abstract until fairly recently, when I decided to experiment with an artificial 'brick wall,' so to speak. Meet my latest (and nerdiest) creation: the Stamp Strip!
The basic idea is similar to what Craig Morris outlines above, but I've given each 'brick' its own printed note name. While playing Stamp, scales, flow studies and the like, I associate each note I play with the printed note on the strip. Using this tool keep my high register feeling easier and more accessible and my low register less tubby. I've noticed a big improvement in ease of playing as well as smoothness of slurs.
My hope is that the Stamp Strip could be useful to other players, so I'm offering it as a free PDF download:
Some assembly is required, but not much. Just cut along the dotted lines, tape the strips together (remember that pedal C is at the top and double C is at the bottom), and hang it wherever you practice the most. That's it!
